Comment créer un hook vidéo IA : un supercar qui décolle en 8 secondes, tous les prompts

Pull the last 50 reels from [3–5 accounts in your niche].
Rank them by views divided by the account's average views.
For the top 5 outliers, break down: the first 2 seconds, the visual hook, the line of dialogue, the pacing (cuts per second) and why it stops the scroll.
Then give me 5 hook ideas in the same structure for [your product].

Vertical handheld point-of-view footage, raw and unstabilized like casual social-media street content, of a man sitting in a white supercar on a dry lakebed. The frame only ever contains the car, the driver and the landscape. Fast pace: everything happens in 8 seconds. The car must be clearly visible and recognizable throughout.

THE CAR corresponds to @image1 (rear three-quarter: white wedge-shaped two-seat electric hypercar, dark tinted glass canopy, black lower body, big rear wing, full-width red light bar, five-spoke black wheels) and @image3 (the same car from the front three-quarter: sharp flat nose with a thin light strip). @image2 shows the same car's hidden flight mode: four small rocket thrusters under the rear bumper firing white-blue exhaust jets downward with thick white smoke, lifting the car off the ground. Keep the car's shape, colors and wheels exactly; no logos, no badges, no readable text on the license plate. Do not use the dark studio backgrounds of the images.

THE DRIVER: a man around 35, short dark hair, light stubble, plain white racing suit with black stripes and no logos, no helmet, sitting in the driver's seat with the driver's door open. He stays inside the car. He is the only person in the frame.
OFF-SCREEN VOICE: a friendly, upbeat young male voice from behind the lens, close to the microphone.

ENVIRONMENT: a vast cracked dry lakebed at golden hour, mountains on the horizon, low warm sun, long shadows, light wind.

TIMELINE (dialogue language: natural conversational American English, no laughter):
0-1.8s: WIDE: the lens walks toward the parked car from its front three-quarter, about four meters away, showing the WHOLE white car in frame, nose to rear wing, the driver's door wide open and the driver visible sitting inside. Off-screen voice, quick and excited: {Excuse me, love your car.}
1.8-2.6s: the lens keeps walking up to the open door, the side of the car filling the frame, the driver now in a medium shot through the doorway. Off-screen voice: {What do you do for a living?}
2.6-3.8s: the driver turns his head to the lens, completely calm: {I sell AI videos.}
3.8-4.5s: he pulls the door closed right away; the lens backs away quickly so the whole car is in frame again.
4.5-6.3s: the rear thrusters ignite with a roar and white-blue jets, a cloud of dust and white smoke blows toward the lens, and the whole car lifts straight off the ground, fully visible.
6.3-8s: the car shoots up and away into the sky; the lens tilts up shakily to follow it. Off-screen voice, stunned, clearly audible: {Wait, what?!}

LIP SYNC: the driver's face is visible through the open door when he speaks, accurate lip-sync.
PHYSICS: dust and smoke billow with the wind, the car's weight shifts as it lifts, the footage shakes from the blast.
CAMERA: handheld at chest height, unstabilized walking bob, slightly clumsy reframing, auto-exposure adjusting when the thrusters fire, one continuous take.
LIGHTING: natural golden-hour sunlight, lens flare from the low sun, softer light on his face inside the cabin.
STYLE + NEGATIVES: raw unedited footage. Nothing in the foreground: no hands, no arms, no devices, no screens, no second person in frame. No helmet, no cinematic grading, no slow motion, no logos on the suit or the car, no readable text, no subtitles, no music.
SOUND: wind on the mic, footsteps on dry crust, the off-screen voice close to the mic, the driver's voice slightly muffled from inside the car, the door thudding shut, then a loud rocket roar and rushing air.

Vertical handheld footage, raw and unstabilized like casual social-media content, golden hour on a vast cracked dry lakebed with mountains on the horizon. A man around 35, short dark hair, light stubble, plain white racing suit with black stripes and no logos, sits on the low front hood of a white wedge-shaped electric hypercar (the car from @image1 and @image2: dark tinted glass canopy, black lower body, five-spoke black wheels; keep its shape and colors; no logos, no readable plate text). He scrolls on his smartphone with one thumb, the screen glow on his face, completely deadpan and bored, then glances up at the lens for a second and back down. The camera slowly walks a half circle around him. Low warm sun behind, lens flare, long shadows, light wind moving dust. Raw unedited footage, mild grain. No readable screen content, no text, no subtitles, no music, no other people. Do not use the studio backgrounds of the images.

Vertical handheld macro footage, raw like casual social-media content: an extreme close-up of a smartphone screen held in a man's hand, the sleeve of a white racing suit visible at the edge of frame, golden-hour sunlight and a lens flare sliding across the glass. On the screen, a vertical social feed of short videos scrolls fast under his thumb: blurry colorful thumbnails flick by, then the thumb stops and taps one video that shows a white wedge-shaped supercar (the car from @image1) on a dry lakebed; it expands to full screen. Shallow depth of field, slight finger smudges on the glass, mild grain. Nothing on the screen is readable: no text, no usernames, no numbers, no logos. No subtitles, no music. Do not use the studio background of the image.

Vertical handheld footage, raw and unstabilized like casual social-media content, golden hour on a vast cracked dry lakebed. A small folding camp table stands on the lakebed next to a parked white wedge-shaped hypercar (the car from @image1; keep its shape and colors; no logos). On the table: an open laptop whose screen shows a grid of many small vertical video thumbnails, one of them glowing brighter than the rest; nothing on the screen is readable. A man around 35 in a plain white racing suit with black stripes, no logos, stands at the table and taps the trackpad, then leans in close to the screen, deadpan, studying it. The camera starts behind his shoulder looking at the screen, then slides around to his side profile lit by the screen and the low sun. Lens flare, long shadows, wind moving dust, mild grain. Raw unedited footage. No readable text anywhere, no subtitles, no music, no other people. Do not use the studio background of the image.

Vertical handheld footage, raw and unstabilized like casual social-media content, filmed from the passenger seat inside the cabin of a white futuristic hypercar (the car from @image1 and @image2: minimalist dark interior, tinted glass canopy) parked on a dry lakebed at golden hour. A man around 35, short dark hair, light stubble, plain white racing suit with black stripes and no logos, sits in the driver's seat and stares at the large central touchscreen, which glows with an abstract video timeline: a row of tiny video frames, a moving playhead and a few red markers; nothing is readable. He scrubs the timeline with one finger, pauses, rewinds, completely deadpan, the screen light flickering on his face while warm sun comes through the canopy. Slow handheld push-in toward his face. Mild grain. No readable text, no logos, no subtitles, no music, no other people. Do not use the studio backgrounds of the images.

Vertical handheld macro footage, raw and unstabilized like casual social-media content, low to the ground on a cracked dry lakebed at golden hour: an extreme close-up of the rear underside of a white hypercar (the car from @image2, rear view in @image1: black rear diffuser, red light bar above). 0-2.5s: four small round rocket nozzles under the rear bumper glow orange, heat shimmer rising. 2.5-5s: they ignite one after another with sharp white-blue flames, the dry crust under them cracks and fine dust blasts outward toward the lens. 5-8s: the car lifts off and exits the top of the frame, leaving a swirling wall of golden dust and white smoke; the camera shakes from the blast. Real physics, heat distortion, flying grit, lens flare, mild grain. No people, no readable text, no logos, no subtitles, no music. Do not use the studio backgrounds of the images.

Vertical handheld footage, raw and unstabilized like casual social-media content, golden hour on a vast cracked dry lakebed with mountains on the horizon. FIVE identical white wedge-shaped electric hypercars (the car from @image1 and @image3: dark tinted canopy, black lower body, big rear wing, red light bar, five-spoke black wheels; keep shape and colors exactly; no logos, no readable plates) are parked side by side in a straight row, spaced a few meters apart, seen from behind at a three-quarter angle. 0-2.5s: the camera walks slowly along the row. 2.5-5s: all five cars ignite the four small rocket thrusters under their rear bumpers at the same moment (as in @image2: white-blue jets, thick white smoke), a wall of golden dust rolls toward the camera. 5-8s: all five lift off together and rise into the sky in formation, the camera tilts up shakily to follow them. Lens flare, long shadows, mild grain, real physics of dust and smoke. Raw unedited footage. No people, no text, no subtitles, no music. Do not use the studio backgrounds of the images.

Vertical handheld footage, raw and unstabilized like casual social-media content, filmed from the passenger seat inside the cabin of the white futuristic hypercar from @image1 and @image2 while it is FLYING low over a vast cracked dry lakebed at golden hour. Through the windshield and the tinted canopy: the lakebed rushing by twenty meters below, mountains on the horizon, the low sun flaring. On the left, a man in a plain white racing suit with black stripes and no logos holds the yoke-style steering wheel with one hand, completely calm and bored, and glances at the camera for a second with a flat expression. The cabin vibrates slightly, dust trails behind on the ground below. Mild grain, lens flare, auto-exposure shifting. No readable text, no logos, no subtitles, no music, no other people. Do not use the studio backgrounds of the images.

Vertical handheld footage, raw and unstabilized like casual social-media content, golden hour on a vast cracked dry lakebed. A man around 35, short dark hair, light stubble, plain white racing suit with black stripes and no logos, leans against the side of a parked white wedge-shaped hypercar (the car from @image1 and @image2; keep its shape and colors; no logos, no readable plate text), arms crossed, completely deadpan. 0-3s: the camera walks toward him from a few meters away, the whole car visible. 3-6s: medium close-up; he looks straight into the lens with a flat, unimpressed expression and gives one slow small nod. 6-8s: he raises one eyebrow and points down toward the bottom of the frame with one finger, still deadpan. He does not speak. Low warm sun from the side, lens flare, long shadows, wind moving dust, mild grain. Raw unedited footage. No text, no subtitles, no music, no other people. Do not use the studio backgrounds of the images.

Extreme macro insert shot, vertical. A man's thumb flicks fast upward across a smartphone screen in a dim room lit by warm golden late-afternoon window light. The screen shows an endless vertical feed of short-video thumbnails rushing past as a motion blur of colors (no readable text, no logos, no app interface details). At 3s the thumb stops dead and the feed halts on one single bright frame: a white supercar on a desert lakebed. Hold on it.
CAMERA: 100mm macro, very shallow depth of field, locked off, the screen fills most of the frame at a slight angle, the thumb sharp, the edges of the phone soft.
LIGHTING: warm amber side light, soft highlights on the skin, deep shadows.
STYLE: cinematic commercial insert, shot on 35mm film, fine grain, slightly warm, crisp. No text, no subtitles, no logos, no watermarks.

Top-down overhead insert shot, vertical. A watchmaker's hands with fine steel tweezers take apart a mechanical wristwatch on a black velvet cloth. Each tiny part (gears, springs, bridges, screws) is lifted out and placed in a neat orderly row, and the row keeps growing. Precise, calm, methodical movements.
CAMERA: locked-off overhead, 90mm lens, sharp focus on the parts, the hands slightly out of the frame edges.
LIGHTING: a single warm golden lamp from the side, glints on the brass and steel, deep black background.
STYLE: cinematic commercial insert, shot on 35mm film, fine grain, warm tones, crisp detail. No brand names, no logos, no text, no subtitles.

Insert shot, vertical. An industrial conveyor belt in a dark factory: five identical small white sports-car scale models glide in a perfect single-file line from the back of the frame toward the lens, evenly spaced, one after another. Mechanical, satisfying, rhythmic.
CAMERA: low angle at belt height, 50mm, the line of five cars receding in perspective, slow push-in along the belt.
LIGHTING: warm golden light streaming through high factory windows, dust in the air, strong rim light on the white models, deep shadows.
STYLE: cinematic commercial insert, shot on 35mm film, fine grain, warm tones. Exactly five identical models. No logos, no badges, no readable text, no people, no subtitles.

[completely flat, monotone, bored, dry, unimpressed] Here's how we do it. Step one: we search our niche in Endless and pull the outliers. Videos doing ten times the account's average. Step two: Endless breaks them down. The hook, the pacing, the exact second people stop scrolling. Step three: we steal the structure. One visual hook. Under two seconds. Step four: we make five. Same idea, different hooks. Then Seedance 2.5 generates them. Phone-shot look, real physics, ready to post. Comment HOOK and I'll send you the prompts.